“Coming Close: Forty Essays on Philip Levine” by Mari L’Esperance & Thomas Q. Morin
Much-celebrated contemporary American poet Philip Levine
is the subject of Coming Close: Forty Essays on Philip Levine,
(Prairie Lights Press, 2013) a newly published compilation of essays
on Levine as teacher/mentor edited by Mari L’Esperance (2007
Poetry Kanto contributor) and Thomas Q. Morin.
After reading this book, if you don’t have a new-found appreciation
and respect for the poet and the man– Philip Levine– your heart is
simply beyond reach, if not repair.
[excerpt below from Kathy Fagan's essay "Homage to Mr. Levine"
in Coming Close: Forty Essays on Philip Levine (Prairie Lights
Books, 2013)]
“We are all of us breakable, but the unformed thing is especially
fragile. There is a tenderness to most young people. I am gentle
with my students because Mr. Levine was, in every essential way,
gentle with kme; I attend their poems with seriousness because Mr.
Levine attended to mine with seriousness. Writing of his teacher,
John Berryman, Phil comments on Berryman’s ability to “devestate
the students’ poems without crushing the students’ spirits.” Alas,
there is no poet or teacher good enough to teach someone how to
survive a life, much less a life of poetry. But Mr. Levine comes
close. There is only one Phil Levine: just my luck.”
[excerpt below from Dante Micheaux's essay "The Capricorn's
Pedagogy" in Coming Close: Forty Essays on Philip Levine.]
“As much revelry as was had that night, it could not compare to
the near sublime and fondest memory I keep of Phil. Two or three
weeks before our festivities, we were having a rather ordinary
workshop. Phil usually had an anecdote from the weekend or
earlier day, which would lead him to some recollection about
Fresno or line by Cesar Vallejo and then we would get down to
business. Yet, this night he somehow got onto William Carlos
Williams and, for a few moments, was completely gripped by
“The Sparrow.” He leaned over the table, his eyes glossy with
remembering, and began a recitation. Silence. The awe of being
in the company of a great name again. The agon, visible and
pulsating. In hindsight, those lines were Phil’s ultimate lesson:
Practical to the end,
it is the poem
of his existence
that triumphedfinally;
a wisp of feathers
flattened to the pavement,wings spread symmetrically
as if in flight,
the head gone,the black estucheon of the breast
undecipherable,
an effigy of sparrow,a dried wafer only,
left to say
and says itwithout offense,
beautifully;
This was I,a sparrow.
I did my best;
farewell._______________
for more about Philip Levine
a videotaped Library of Congress reading, 2011: