The Ecopoetry Anthology
Ann Fisher-Wirth (Poetry Kanto 2012 & 2006 contributor) and Laura
Gray-Street have co-edited the new “The Ecopoetry Anthology.”
In the preface to their book they address the question of how to
define ‘ecopoetry’:
Nature poetry has existed as long as poetry has existed. Around
1960, however, public attention increasingly turned to the
burgeoning environmental crisis, and nature poetry began to
reflect this concern. In recent decades, the term “ecopoetry”
has come into use to designate poetry that in some way is
shaped by and responds specifically to that crisis. The term
has no precise definition and rather fluid boundaries, but some
things can usefully be said about it. Generally, this poetry
addresses contemporary problems and issues in ways that are
ecocentric and that respect the integrity of the other-than-human
world. It challenges the belief that we are meant to have
dominion over nature and is skeptical of a hyperrationality that
would separate mind from body–and earth and its creatures
from human beings–and that would give preeminence to
fantasies of control. Some of it is based in the conviction that
poetry can help us find our way back to an awareness that we
are at one with the more-than-human world.
They group the book’s generous contents into three categories–nature
poetry, environmental poetry, and ecological poetry. These groupings
are intended, the editors say, as a starting point or as a nexus of
interactions that constitute an ecopoetry which allows for capacities,
they argue, of “contemplation, activism, and self-reflexivity.”
Their selection of poets runs the gamut from the historical–over 100
pages long, beginning with Whitman and on to modernists like
Stevens, Pound, Eliot, Crane and Hughes– to the contemporary,
which includes 176 poets, arranged alphabetically, from A.R.
Ammons to Robert Wrigley. Variety is the keyword here, as well as
excellence as a standard applied to the poems they have selected.
Which makes this anthology a pleasure to engage with.
“The Ecopoetry Anthology,” with an introduction by Robert Hass, is
available here.